August 7, 2020
  • 8:30 am Will the Bulletin Make Today Tomorrow?
  • 9:04 am Different Neighborhoods Warrant Rubber Bullets or Traffic Control For Protesters
  • 5:07 pm STAFF EDITORIAL: Even Socially Distant, We All Have to Work Together
  • 5:47 pm Transcript of CSUDH President Parham’s Coronavirus Announcement
  • 10:46 am Cal State Long Beach Suspends Face-to-Face Classes; CSUDH Discussing Contingency Plans
  • 5:26 pm Things Black People Should be Able to Get Away with This Month
  • 10:25 am Latinx Students Need a Place to Call Home
  • 2:35 pm Will Time Run Out Before Funds for PEGS? [UPDATED]
  • 5:18 pm Greatness Personified: Remembering Kobe Bryant
  • 8:41 am Year of the Rat? What’s That?
  • 6:20 am Artist Who Gave Life to Death and Inspired Countless Others Gets His Due at Dominguez Hills
  • 5:16 pm Why I’m Rooting for Dr. Cornel West
  • 5:00 pm Under Fire from the Feds, Vaping’s Future is Cloudy
  • 3:28 pm We’re Going to Need a Bigger Boat; Tsunami 3.0 Hits Campus, Enrollment Swells
  • 4:48 pm University Weathering a Wave of New Students
  • 9:21 pm The Bulletin’s Public Records Request Offers Springboard to Launch Gender Equity Discussion at CSUDH
  • 4:27 pm Black is the New Black: Raising the Capital on the “B” Word
  • 10:53 am Guns Up for Arrest: Student advocacy group pushes for CSU No Gun Zones–Including the Police
  • 4:09 pm Staff Editorial: Words on the First
  • 8:42 pm Carson Mayor Blasts Media, Landmark Libel Case in Keynote Address
  • 9:27 am Free Speech Week Calendar of Events Update
  • 6:02 am Food for Thought: 40% of Students are Food Insecure
  • 3:12 pm Academic Senate Rejects CSU GE Task Force & Report
  • 3:06 pm Work To Be Done
  • 5:56 pm ASI Elections: What You Need to Know
  • 8:02 pm CSUDH President Parham Announces Cancer Diagnosis
  • 9:47 am CSUDH Art Professor’s 20-Year Journey Results in First Local Showing of Film
  • 9:13 pm Free Speech or Free Hate area?
  • 9:08 pm CSUDH’s Best & Brightest Shine at Student Research Day
  • 9:05 pm Academic Senate Approves Gender Equity Task Force
  • 12:37 pm When Dr. Davis speaks, Toros Pay Close Attention
  • 3:38 pm Investing in the Future: Dr. Thomas A. Parham Reflects on the Past Eight Months and Contemplates​ the University’s Future
  • 3:24 pm Green Olive to Open By End of Feb; Starbucks Not Until Fall
  • 3:20 pm Gov. Newsom’s Proposed Budget Hailed for Extensive Funding Increases
  • 3:08 pm Out of the Classroom: Labor and Community Organizing Course Aims to Teach Students How to Organize for Social Justice
  • 2:54 pm The Other Route in Professional Sports
  • 9:02 am Hail to the New Chief, CSUDH President Thomas Parham
  • 3:36 pm Career Center Holds Major/Minor Fair
  • 5:34 pm After Unexpected Delay, Undocumented Becomes More Intimate Theatrical Production
  • 1:30 pm What to Expect When You’re Expecting New Buildings
  • 2:00 pm A Feeling That Can Be Described With One Word, Finally
  • 9:27 am Dash Wins a Cup, Possible Blueprint for New LA Franchise to Succeed
  • 10:41 am “We Asked for Orange Juice and Got a Glass of Tang:” CSUDH Faculty Sound Off on Alternative Ethnic Studies Requirement
  • 3:00 pm Task Force to Examine Anti-Blackness Primarily, but Not Exclusively
  • 8:00 am Late Pavon PK Eliminates Houston
Story tips, concerns, questions?

By Joseph Baroud
Staff Writer

After an extended delay due to safety concerns in the campus’ main theater, “Undocumented” is finally on stage at CSUDH.

The play, written by Elaine Romero, was originally set to take place in the 444-seat University Theatre last October. But an inspection of the theater discovered “significant safety concerns,” that forced the immediate closure of the space. That meant “Undocumented,” which was supposed to open less than two weeks later, had to be moved to the 60-seat Edison Theatre and rescheduled for this month.

Photo by Joseph Baroud

It opens its three-weekend run tonight.

Director Bill Deluca said it was a difficult process for his cast and crew, since the show was ready to go up and now needed to be reset, but no one ever thought of giving up. 

“Theatre people are very resilient and very positive,” Deluca said. “You can put all kinds of obstacles in our way but we’re still going to get it done. We don’t like to sit around and just lick our wounds. I would rather work with the actors on creating a better show than look backwardand say, ‘oh you know, that was terrible what happened to us.’”

The smaller confines mean the visual projections in the show will be projected onto a much smaller wall, and the actors are performing on a stage “tightly in front” of the audience rather than 30 yards away, Deluca said. That means the actor’s presentation must change, particularly their voices. 

“It’s how you use it,” Deluca said. “ You can’t gesture as much. So, the performance style changes. In [the larger University Theatre], it really becomes more of a political play about social issue.  Here it’s more of a human framework. The actors are walking right by you.”

Photo by Joseph Baroud

Additionally, the change in projection allows Deluca to experiment with a storytelling technique not always seen in theater productions: using them to show the audience what characters are thinking, but not saying.

The play is about a highschool principal who has an undocumented worker living in her house. When the superintendent of the school board, who is an anti-” illegal” immigration, begins questioning the principal about whether she has an undocumented person living in her house, she is forced to make a painful decision.

Alex Serrano, who plays Cesar, the undocumented worker, agreed the postponement was difficult, but he chose to embrace it as a challenge.

“I feel like it’s good for me as an actor,” Serrano said. “You could feel the energy more in an intimate space. I love the [University Theatre].  but I feel like with this I can feel the energy of the audience. I feel like it’s a whole different show, which is cool.”

Because the Edison Stage is so smaller, Serrano said the retooled production features more blocking, or actors in motion, in order that no actor blocks anyone else and the audience fully experiences the intense dialogue of the piece.

“[The movement] makes it seem more natural though. It seems like it’s a boxing match, you always have to be moving around,” Serrano said.

Gabby Bustamante, assistant stage manager, said this is the first time the play has been staged at a university and that it’s important because it shows “what is really happening right now.”

The fact that this fictionalized tale is based on an issue that is at the forefront of national news, from the debate over immigration to President Trump’s demand for a wall, Deluca said makes this a  perfect time for this production. 

“That’s why I’d like to do a play like this, to raise the banner for those who should be accepted rather than criminalized,” he said. “That’s happening nowadays. It’s time to speak out.”

Edison Theater, Thurs.-Sat., 8 p.m. Sun., 2 p.m., Closes Feb. 10.  $13-$18. Www.



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