September 24, 2021
  • 7:00 am Outstanding Professor Award Recipient’s Mic Drop Moment at Last Month’s Virtual Ceremony
  • 9:10 am Bookworms of the World Unite!
  • 7:46 pm Breaking News: All Students Living in Campus Housing Required to Receive COVID-19 Vaccine
  • 9:00 am CSUDH Esports Creates International Competition
  • 9:35 am Spring Commencement Ceremonies Get Brighter
  • 3:46 pm Breaking News: Spring Commencement Ceremonies Recieve Stadium Upgrade
  • 8:00 am Testing the Teachers (and All the Educators)
  • 9:30 am CSUDH Educators and School Employees, Vaccinated Next
  • 10:30 am For White People Only: Anti-Racism Workshop Addresses Racial Bias and Unity
  • 2:43 pm Greatness Personified: Remembering Kobe Bryant
  • 10:02 am Straight Down the Chimney and Into Your (Digital) Hands: Special Holiday Edition of The Bulletin!
  • 2:44 pm Did You Wake up Looking this Beautiful?
  • 11:43 am A Long History for University’s Newest Major
  • 5:15 pm Issue 5 of Bulletin Live! Collector’s Item! Worth its Weight in Digital Paper!
  • 4:06 pm Special Election Issue
  • 4:03 pm Three best Latinx Halloween & Horror Short Films available now on HBO Max
  • 9:49 am Issue 3 of CSUDH Bulletin Live if You Want It
  • 3:24 pm Hispanic Heritage Month Update
  • 2:00 pm South Bay Economic Forecast Goes Virtual
  • 3:52 pm BREAKING NEWS: Classes for Spring to be Online, CSU Chancellor Announces
  • 9:39 am “Strikes” and Solidarity
  • 8:30 am March Into History: Just 5 in 1970, CSUDH Growth Shaped by Historic Event
  • 8:30 am Will the Bulletin Make Today Tomorrow?
  • 9:04 am Different Neighborhoods Warrant Rubber Bullets or Traffic Control For Protesters
  • 5:07 pm STAFF EDITORIAL: Even Socially Distant, We All Have to Work Together
  • 5:47 pm Transcript of CSUDH President Parham’s Coronavirus Announcement
  • 10:46 am Cal State Long Beach Suspends Face-to-Face Classes; CSUDH Discussing Contingency Plans
  • 5:26 pm Things Black People Should be Able to Get Away with This Month
  • 10:25 am Latinx Students Need a Place to Call Home
  • 2:35 pm Will Time Run Out Before Funds for PEGS? [UPDATED]
  • 8:41 am Year of the Rat? What’s That?
  • 6:20 am Artist Who Gave Life to Death and Inspired Countless Others Gets His Due at Dominguez Hills
  • 5:16 pm Why I’m Rooting for Dr. Cornel West
  • 5:00 pm Under Fire from the Feds, Vaping’s Future is Cloudy
  • 3:28 pm We’re Going to Need a Bigger Boat; Tsunami 3.0 Hits Campus, Enrollment Swells
  • 1:22 pm THE FIRST ISSUE OF THE BULLETIN IS HERE
  • 4:48 pm University Weathering a Wave of New Students
  • 9:21 pm The Bulletin’s Public Records Request Offers Springboard to Launch Gender Equity Discussion at CSUDH
  • 4:27 pm Black is the New Black: Raising the Capital on the “B” Word
  • 10:53 am Guns Up for Arrest: Student advocacy group pushes for CSU No Gun Zones–Including the Police
  • 4:09 pm Staff Editorial: Words on the First
  • 8:42 pm Carson Mayor Blasts Media, Landmark Libel Case in Keynote Address
  • 9:27 am Free Speech Week Calendar of Events Update
  • 6:02 am Food for Thought: 40% of Students are Food Insecure
  • 3:12 pm Academic Senate Rejects CSU GE Task Force & Report
  • 3:06 pm Work To Be Done
  • 5:56 pm ASI Elections: What You Need to Know
  • 8:02 pm CSUDH President Parham Announces Cancer Diagnosis
  • 9:47 am CSUDH Art Professor’s 20-Year Journey Results in First Local Showing of Film
  • 9:13 pm Free Speech or Free Hate area?
  • 9:08 pm CSUDH’s Best & Brightest Shine at Student Research Day
  • 9:05 pm Academic Senate Approves Gender Equity Task Force
  • 12:37 pm When Dr. Davis speaks, Toros Pay Close Attention
  • 3:38 pm Investing in the Future: Dr. Thomas A. Parham Reflects on the Past Eight Months and Contemplates​ the University’s Future
  • 3:24 pm Green Olive to Open By End of Feb; Starbucks Not Until Fall
  • 3:20 pm Gov. Newsom’s Proposed Budget Hailed for Extensive Funding Increases
  • 3:08 pm Out of the Classroom: Labor and Community Organizing Course Aims to Teach Students How to Organize for Social Justice
  • 2:54 pm The Other Route in Professional Sports
  • 9:02 am Hail to the New Chief, CSUDH President Thomas Parham
  • 3:36 pm Career Center Holds Major/Minor Fair
  • 5:34 pm After Unexpected Delay, Undocumented Becomes More Intimate Theatrical Production
  • 1:30 pm What to Expect When You’re Expecting New Buildings
  • 7:53 pm Will the New Era of College Education Rely on Zoom?
  • 7:46 pm First Time Living Alone During Autumn; Some Tips to Dive into the Autumn Spirit
  • 7:36 pm Toros Volleyball Ready to Flip the Odds
  • 7:12 pm CCAA Network Offered Free for Fans this season
  • 7:07 pm CSUDH Men’s Basketball Adds Seven Newcomers to Roster

Howardena Pindell, an inspirational artist whose legacy shall stand the test of time. Photo Courtesy ConSortiUm.

By Desiree Lee, Staff Reporter

In a joint effort to continue giving local artists an outlet to display their work during the pandemic, the universities showcased the life and work(s) of Howardena Pindell with fellow artist Valerie Cassel Oliver as moderator. 

At the event, Oliver gave the audience a brief walkthrough of Pindell’s life. Pindell was born in 1943, while America was on the brink of war with Germany, and prior to the civil rights movement of the late 50s. Though growing up in tumultuous times, she was able to attend and graduate from Yale University with an MFA in painting specializing in minimalism and abstract art. After graduation, she found work at the Museum of Modern Art in New York. Pindell worked her way up starting as an exhibition assistant, then to assistant curator for the department of national and international traveling exhibitions. Pindell eventually became an associate curator in the Department of Prints and Illustrated Books. 

In 1979, Pindell taught at the State University of New York, where she is currently a professor. Pindell’s exhibits include Spelman College in 1971, Atlanta, and A.I.R. Gallery 1983, New York just to name a few.  

As a woman of color with such esteemed art credentials to her name, Oliver couldn’t help but ask what the audience was thinking; “What was the crystalline moment [Pindell] had decided to become an artist?” According to Pindell’s recollection, it was the encouragement of her third grade teacher and her parents that introduced her to artists of different genders and ethnicities. 

But the largest source of Pindell’s artistry comes from growing up in America during the 1950s. She was driven to share her visionary talents with the art world, after having experienced discrimination, within her poorly integrated art schools where she was often the only non-white person in the class. Instead of succumbing to the racial upheaval, she had the drive to push forward.

“There were a lot of roadblocks, but occasionally there was a good person who would be a healing influence,” Pindell said. “I ran into many objections including from students’ wealthy parents who offered the school money if they would get rid of me.”

These days Pindell has been working on a special project that she calls “the yin and yang of art” to help the patrons reflect and think critically about social issues from memories of her childhood. “It is a combination of many threads in my work,” Pindell said. 

Pindell went on to explain an instant where she was at a friend’s house and on the table was a Life magazine cover that bore the image of a man being lynched. That image would be forever burned into her mind with the smell of meat that was cooking in the kitchen. It repulsed her, and in this particular exhibit, a piece called “The Shack” is a recreation of that memory.  

The Platform event also ended with a powerful reflection on how Pindell’s artworks as a Black woman of color. She has helped shaped the racial conversation by telling stories of lynchings, slavery trade routes, Black Lives Matter, and all the injustices big and small inflicted upon human beings. Pindell however, does balance out the trauma with a celebration of Black life and other less triggering images so that the audience viewing her pieces can have time to reflect so it doesn’t incapacitate the ability of critical thinking. 

Pindell ends the event with a pensive thought about how times have changed for African American representation and appreciation, but there’s still more work to be done. 

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