July 3, 2020
  • 8:30 am Will the Bulletin Make Today Tomorrow?
  • 9:04 am Different Neighborhoods Warrant Rubber Bullets or Traffic Control For Protesters
  • 5:07 pm STAFF EDITORIAL: Even Socially Distant, We All Have to Work Together
  • 5:47 pm Transcript of CSUDH President Parham’s Coronavirus Announcement
  • 10:46 am Cal State Long Beach Suspends Face-to-Face Classes; CSUDH Discussing Contingency Plans
  • 5:26 pm Things Black People Should be Able to Get Away with This Month
  • 10:25 am Latinx Students Need a Place to Call Home
  • 2:35 pm Will Time Run Out Before Funds for PEGS? [UPDATED]
  • 5:18 pm Greatness Personified: Remembering Kobe Bryant
  • 8:41 am Year of the Rat? What’s That?
  • 6:20 am Artist Who Gave Life to Death and Inspired Countless Others Gets His Due at Dominguez Hills
  • 5:16 pm Why I’m Rooting for Dr. Cornel West
  • 5:00 pm Under Fire from the Feds, Vaping’s Future is Cloudy
  • 3:28 pm We’re Going to Need a Bigger Boat; Tsunami 3.0 Hits Campus, Enrollment Swells
  • 4:48 pm University Weathering a Wave of New Students
  • 9:21 pm The Bulletin’s Public Records Request Offers Springboard to Launch Gender Equity Discussion at CSUDH
  • 4:27 pm Black is the New Black: Raising the Capital on the “B” Word
  • 10:53 am Guns Up for Arrest: Student advocacy group pushes for CSU No Gun Zones–Including the Police
  • 4:09 pm Staff Editorial: Words on the First
  • 8:42 pm Carson Mayor Blasts Media, Landmark Libel Case in Keynote Address
  • 9:27 am Free Speech Week Calendar of Events Update
  • 6:02 am Food for Thought: 40% of Students are Food Insecure
  • 3:12 pm Academic Senate Rejects CSU GE Task Force & Report
  • 3:06 pm Work To Be Done
  • 5:56 pm ASI Elections: What You Need to Know
  • 8:02 pm CSUDH President Parham Announces Cancer Diagnosis
  • 9:47 am CSUDH Art Professor’s 20-Year Journey Results in First Local Showing of Film
  • 9:13 pm Free Speech or Free Hate area?
  • 9:08 pm CSUDH’s Best & Brightest Shine at Student Research Day
  • 9:05 pm Academic Senate Approves Gender Equity Task Force
  • 12:37 pm When Dr. Davis speaks, Toros Pay Close Attention
  • 3:38 pm Investing in the Future: Dr. Thomas A. Parham Reflects on the Past Eight Months and Contemplates​ the University’s Future
  • 3:24 pm Green Olive to Open By End of Feb; Starbucks Not Until Fall
  • 3:20 pm Gov. Newsom’s Proposed Budget Hailed for Extensive Funding Increases
  • 3:08 pm Out of the Classroom: Labor and Community Organizing Course Aims to Teach Students How to Organize for Social Justice
  • 2:54 pm The Other Route in Professional Sports
  • 9:02 am Hail to the New Chief, CSUDH President Thomas Parham
  • 3:36 pm Career Center Holds Major/Minor Fair
  • 5:34 pm After Unexpected Delay, Undocumented Becomes More Intimate Theatrical Production
  • 1:30 pm What to Expect When You’re Expecting New Buildings
  • 9:00 am Women’s Resource Center Bridges Transformative Justice and the Toro Community
  • 4:00 pm How K-pop Stans Became Superpoliticized
  • 2:45 pm Toro on the “Today” show
  • 9:00 am America’s Pastime Returns To The Diamond
Story tips, concerns, questions?

By Andrea Mendez, Staff Reporter

Don’t be fooled by the name of the latest exhibit drawn from the vast material housed in the CSUDH Gerth Archives and Special Collections. “Will the Circle be Unbroken: The Sacred Music of the African Diaspora,” is rooted in the history of the massive Black migration across America from 1940 to 1970, but the exhibit has a strong connection to this university and to the present day.

The exhibit, which opened last month and will run through Aug. 7, consists of documents, historic artifacts and papers all dealing with the musical forms brought to Southern California during the Second Great Migration of African Americans. From 1940 to 1970, an estimated 4.5 million Black Americans left the American South and traveled North and West, mostly to big cities such as Los Angeles.

The exhibit documents the musical forms that those migrants brought to Los Angeles, including gospel, spiritual, blues, jazz, and how they adapted in their new setting and how they impacted contemporary styles, such as hip-hop.

The CSUDH connection runs throughout the exhibit, which the CSUDH music department helped facilitate. The materials are drawn from the Georgia and Nolan Payton Sacred Music Archives, donated by their daughter Sallyanne Payton, as  well as the Hansonia Caldwell Collection, which is a collection of African-Diaspora Sacred Music and Musician Sheet Music.

Caldwell was a music professor at CSUDH who helped found the Jubilee Choir, one of the foremost African American spiritual choirs in the country.

The Jubilee Choir was a fixture at CSUDH for 30 years until Caldwell’s retirement in 2011. It was dormant for eight years until Charles (Chuck Dickerson) supervisor of special events, reintroduced it to campus last March. The choir entertained the crowd at the opening reception.

Another musical ensemble, the Albert McNeil Jubilee Singers, was also present at the opening in the person of founder Albert J. McNeal. McNeal, who recently turned 100, founded the group in order to preserve and perform what was once called Negro Spirituals, and to show how that musical form impacted so much of contemporary music.

Along with the historic sheet music, a wide display of vinyl, programs and newspaper clippings from the era, the exhibit also includes pieces that tie into protest music and the coded messages that evolved from spiritual hymns to the popular hip-hop we see today.

Using the past to comment on the present is designed to show an “aspect of black culture and the impact from a local level to a global inspiration,” said Beth McDonald, the exhibit curator and music archivist for the Gerth  Archives and Special Collections.

The exhibit will be on display in LIB 1940, the Library Cultural Art Center, from 10 a.m. to 4 p.m. 



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