September 25, 2022
  • 12:08 pm Fall Convocation 2022: “The State of this University is Strong”
  • 9:37 pm Ogrin Brings the Thunder in Toros 12-3 rout; team plays for playoff championship tomorrow
  • 7:00 am Outstanding Professor Award Recipient’s Mic Drop Moment at Last Month’s Virtual Ceremony
  • 9:10 am Bookworms of the World Unite!
  • 7:46 pm Breaking News: All Students Living in Campus Housing Required to Receive COVID-19 Vaccine
  • 9:00 am CSUDH Esports Creates International Competition
  • 9:35 am Spring Commencement Ceremonies Get Brighter
  • 3:46 pm Breaking News: Spring Commencement Ceremonies Recieve Stadium Upgrade
  • 8:00 am Testing the Teachers (and All the Educators)
  • 9:30 am CSUDH Educators and School Employees, Vaccinated Next
  • 10:30 am For White People Only: Anti-Racism Workshop Addresses Racial Bias and Unity
  • 2:43 pm Greatness Personified: Remembering Kobe Bryant
  • 10:02 am Straight Down the Chimney and Into Your (Digital) Hands: Special Holiday Edition of The Bulletin!
  • 2:44 pm Did You Wake up Looking this Beautiful?
  • 11:43 am A Long History for University’s Newest Major
  • 5:15 pm Issue 5 of Bulletin Live! Collector’s Item! Worth its Weight in Digital Paper!
  • 4:06 pm Special Election Issue
  • 4:03 pm Three best Latinx Halloween & Horror Short Films available now on HBO Max
  • 9:49 am Issue 3 of CSUDH Bulletin Live if You Want It
  • 3:24 pm Hispanic Heritage Month Update
  • 2:00 pm South Bay Economic Forecast Goes Virtual
  • 3:52 pm BREAKING NEWS: Classes for Spring to be Online, CSU Chancellor Announces
  • 9:39 am “Strikes” and Solidarity
  • 8:30 am March Into History: Just 5 in 1970, CSUDH Growth Shaped by Historic Event
  • 8:30 am Will the Bulletin Make Today Tomorrow?
  • 9:04 am Different Neighborhoods Warrant Rubber Bullets or Traffic Control For Protesters
  • 5:07 pm STAFF EDITORIAL: Even Socially Distant, We All Have to Work Together
  • 5:47 pm Transcript of CSUDH President Parham’s Coronavirus Announcement
  • 10:46 am Cal State Long Beach Suspends Face-to-Face Classes; CSUDH Discussing Contingency Plans
  • 5:26 pm Things Black People Should be Able to Get Away with This Month
  • 10:25 am Latinx Students Need a Place to Call Home
  • 2:35 pm Will Time Run Out Before Funds for PEGS? [UPDATED]
  • 8:41 am Year of the Rat? What’s That?
  • 6:20 am Artist Who Gave Life to Death and Inspired Countless Others Gets His Due at Dominguez Hills
  • 5:16 pm Why I’m Rooting for Dr. Cornel West
  • 5:00 pm Under Fire from the Feds, Vaping’s Future is Cloudy
  • 3:28 pm We’re Going to Need a Bigger Boat; Tsunami 3.0 Hits Campus, Enrollment Swells
  • 4:48 pm University Weathering a Wave of New Students
  • 9:21 pm The Bulletin’s Public Records Request Offers Springboard to Launch Gender Equity Discussion at CSUDH
  • 4:27 pm Black is the New Black: Raising the Capital on the “B” Word
  • 10:53 am Guns Up for Arrest: Student advocacy group pushes for CSU No Gun Zones–Including the Police
  • 4:09 pm Staff Editorial: Words on the First
  • 8:42 pm Carson Mayor Blasts Media, Landmark Libel Case in Keynote Address
  • 9:27 am Free Speech Week Calendar of Events Update
  • 6:02 am Food for Thought: 40% of Students are Food Insecure
  • 3:12 pm Academic Senate Rejects CSU GE Task Force & Report
  • 3:06 pm Work To Be Done
  • 5:56 pm ASI Elections: What You Need to Know
  • 8:02 pm CSUDH President Parham Announces Cancer Diagnosis
  • 9:47 am CSUDH Art Professor’s 20-Year Journey Results in First Local Showing of Film
  • 9:13 pm Free Speech or Free Hate area?
  • 9:08 pm CSUDH’s Best & Brightest Shine at Student Research Day
  • 9:05 pm Academic Senate Approves Gender Equity Task Force
  • 12:37 pm When Dr. Davis speaks, Toros Pay Close Attention
  • 3:38 pm Investing in the Future: Dr. Thomas A. Parham Reflects on the Past Eight Months and Contemplates​ the University’s Future
  • 3:24 pm Green Olive to Open By End of Feb; Starbucks Not Until Fall
  • 3:20 pm Gov. Newsom’s Proposed Budget Hailed for Extensive Funding Increases
  • 3:08 pm Out of the Classroom: Labor and Community Organizing Course Aims to Teach Students How to Organize for Social Justice
  • 2:54 pm The Other Route in Professional Sports
  • 9:02 am Hail to the New Chief, CSUDH President Thomas Parham
  • 3:36 pm Career Center Holds Major/Minor Fair
  • 5:34 pm After Unexpected Delay, Undocumented Becomes More Intimate Theatrical Production
  • 1:30 pm What to Expect When You’re Expecting New Buildings
  • 12:02 pm AAPI Students Protest During Fall Convocation
  • 11:00 am Notes from the Bullpen: Women’s Soccer
  • 6:48 pm First issue of Bulletin, Fall 2022
  • 7:54 pm Staff Editorial

Paul Bettany as Vision and Elizabeth Olsen as Wanda Maximoff in Marvel Studios’ “WandaVision,” exclusively on DIsney+. Photo courtesy of Marvel Studios.

By Carlos Martinez, Web Editor

Editor’s Note: This article contains spoilers of Marvel Studios’ “WandaVision”.

The illustrious creation of the Marvel Cinematic Universe is a tale that starts on the big screen. From introducing audiences to a genius, billionaire, playboy philanthropist wrapped in an iron suit; to giving us a first-class ticket to the African country of Wakanda.

“WandaVision,” is the first show in Phase 4 of the television landscape connected to the larger MCU. 

While not as splashy as its big-screen predecessors centered on large explosions, big-budget team-ups, and less character development time, it manages to flourish in a way that holds up.

What makes “WandaVision” a unique entry to the MCU is its themes of grief, mental health, and healing folded up in a visual love letter of the sitcoms of Old Hollywood. On paper, “WandaVision” initially pitched as a sitcom-mystery mash-up, sounds destined to fail. 

However, it serves as an epilogue to the tragic tale of superhero lovers Wanda Maximoff (Elizabeth Olsen) and Vision (Paul Bettany) in “Avengers: Infinity War.” 

In the aftermath of “Avengers: Endgame,” Wanda finds herself grief-stricken and alone after the death of her lover, Vision at the hands of Thanos. Due to a mental breakdown caused by extreme trauma and heartbreak, Wanda creates a rose-colored, fantasy world. In this world she’s able to conjure up the perfect family life for herself;  it’s a place where the Vision can never die, have kids, and live happily ever after. 

One of the ways Marvel does a good job of portraying Wanda’s grief is having her spiral into madness and gaining power during its run. In one of the biggest, risky deviations from the traditional MCU, “WandaVision” maximizes its narrative through the uses of episodic television.

The cheery masquerade of her truth slowly deteriorates throughout the episodic series as Wanda learns that grief is unavoidable and her vintage wonderland is fantasy, thus leading her to accept the reality of her loss and fulfill her destiny as the Scarlet Witch. 

The series seemingly has no deeper narrative to what is presented to us.  Following the format of iconic sitcoms in the span of seven decades, “WandaVision” presents itself as isolated episodic narratives that follow the adventures of the couple trying to live an “American” life.

Photo courtesy of Marvel Studios.

When looking at it deeper, Wanda has been filtering out all the morbid trauma from her harsh reality in order to preserve her  distorted utopia.

In spite of using sitcoms as a unique and bizarre tool to narrate the story, “WandaVision” elevates to be one of the most impactful MCU stories for audiences through media escapism This theme is observed through Wanda’s experiences as an immigrant from the country of Sokovia trying to learn English in a desire to achieve the idyllic apple pie American lifestyle. 

The show shows us the impact of American culture on foreign soils by exploring classics such as “The Dick Van Dyke Show,” “Bewitched” and “Malcolm in the Middle.” The young Wanda found comfort in escapism with these idealistic narratives as the horrors of her war-torn country swirled around her. 

Generally, cinema and television shows have always allowed audiences to liberate themselves from their problems for at least an hour or two, once a week or a cushiony binge session. It makes us feel comfortable, entertained and at ease while being immersed in a more enchanting landscape. 

In a year where life on Earth shut down due to the ongoing pandemic, more than half of consumers were seeking comfort from the pandemic through familiar music, films and television shows according to a study conducted by Nielsen, Billboard and MRD Data.

While “WandaVision” serves to be one of its kind to grace the streaming platform, it also serves as the first in which two characters, typically served as plot devices in the MCU, are the main stars. 

Like how there’s no Tony Stark without Robert Downey Jr., Olsen is the Scarlet Witch. She demonstrates an impeccable performance to match with the acting of yesteryear (Lucille Ball and Elizabeth Montgomery to name a few) that brings a new side of Wanda that hasn’t been shown before. 

After the success of “WandaVision,” fans wonder what Marvel has in store for their next outing, “The Falcon and the Winter Soldier,” will play out in the streaming landscape. Only time will tell how the show will play out as its premiere episode drops this weekend. Until then, please stand by.


%d bloggers like this: